dizzy miss lizzy band

Matchbox. Although, "Cannonball"/"Not Fade Away" (Hardin-Petty)/"Hey Little Girl"/". The 1994 performance was on frontman Christensen's 20th birthday, when sales of their debut album had just crossed the 50,000 mark. [13] Ono, with the help of Rob Stevens from Quad Recording,[13] supervised a remixing of Live Peace in Toronto 1969 for its compact disc issue,[nb 6][32] released on 1 May 1995. The Quarrymen recorded several low-quality, homemade, mono demo tapes. ", "Danish certifications Dizzy Mizz Lizzy Dizzy Mizz Lizzy", "Hitlisten.NU - Danmarks officielle hitlister", https://en.wikipedia.org/w/index.php?title=Dizzy_Mizz_Lizzy&oldid=1118233774, Articles with Danish-language sources (da), Short description is different from Wikidata, Pages using infobox musical artist with associated acts, Creative Commons Attribution-ShareAlike License 3.0, Producer: Dizzy Mizz Lizzy, Nick Foss, Flemming Hansson, This page was last edited on 25 October 2022, at 21:06. [12] Later attempts at expanding to a quartet with an extra guitarist failed,[11] and critics would explain: "From the outset it was clear that Tim Christensen was the group's undisputed center, but the band benefited significantly from the collective dynamics. Music writer Gene Sculatti compares it to Williams's earlier song "Dizzy, Miss Lizzy", but with backup vocals more like the Coasters "Charlie Brown" and the Everly Brothers "Bird Dog", both Billboard chart hits. [11] They "quite literally felt on home soil"[11] when they were contacted by Nick Foss, head of A&R at EMI-Medley,[21] and known by the band as the producer of several albums by D-A-D and The Sandmen. Kite!" As short film, the video among other things won Best rock music video at the Euro Music Video Song Awards (February 2022) and Best music video at the 2022 San Francisco Indie Short Festival. The song, with a spoken advertisement as the B-side, was pressed onto nine mono 78rpm acetate discs. "Live at Abbey Road Studios 2004" (complimentary booklet). Criticism was directed at side two of the LP, the side consisting entirely of two Yoko Ono songs. After the band reunited in 2014, the mascot was again used, this time in the form of an anaglyph 3D rendering for promotional material, on stage, and the cover art of the 2016 studio album Forward in Reverse and its singles. Musicians: John Lennon (acoustic guitar, vocals), George Harrison (tamboura, sitar), Ringo Starr (tomtoms), Production staff: George Martin (producer), Ken Scott and Martin Benge (engineer), Richard Lush and, "The Inner Light" (of take 5, numbered take 6), "Lady Madonna" (tape reduction take 3 into take 4, overdub onto take 4, tape reduction take 4 into take 5), Backing Vocals from take 3 - released with, "Lady Madonna" (remixes 1 and 2, from take 5). (Take 1) released as part of, "Blue Moon" (Studio Jam played before take 28 of "I Will") released as part of, "Step Inside Love" (Studio Jam) released as part of, "Los Paranoias" (Studio Jam) released as part of, "The Way You Look Tonight (improvisation), take 2 / Instrumental Backing Track released as part of, ""Birthday" (take 20 into takes 21 and 22), take 12 / Instrumental Backing Track released as part of, "Happiness Is a Warm Gun" (takes 46 70), "Happiness Is a Warm Gun" (of takes 53 and 65, called take 65), "Happiness Is a Warm Gun" (SI onto take 65), "Happiness Is a Warm Gun" (remixes 1 and 2 from take 65), "Happiness Is a Warm Gun" (remixes 3 12 from take 65), "What's the New Mary Jane" (remixes 1 and 2 from take 4), "Glass Onion" (remixes 1 and 2 from take 33), "Honey Pie" (unnumbered rough remix from take 1), "Honey Pie" (of remix mono 1 and remix stereo 1), "Martha My Dear" (of remix mono 1 and of remix stereo 1), "While My Guitar Gently Weeps" (remix 1 from take 25), "While My Guitar Gently Weeps" (remixes 1 and 2 from take 25), "The Continuing Story of Bungalow Bill" (takes 1 3), "The Continuing Story of Bungalow Bill" (remixes 1 and 2 from take 3), "The Continuing Story of Bungalow Bill" (remix 1 from take 3), "Why Don't We to Do It in the Road" (take 1 5), "Long Long Long" (remixes 1 4 from take 67), "Glass Onion" (remixes 10 and 11 from take 33), "Why Don't We to Do It in the Road" (SI onto take 5, tape reduction take 5 into take 6, SI onto take 6), "Don't Pass Me By" (remix 1 from take 7 and edit of edit piece 4), "Good Night" (remixes 1 and 2 from take 34), "Everybody's Got Something to Hide Except for Me And My Monkey" (remix 1 from take 12), "Helter Skelter" (remixes 1 5 from take 21), "Mother Nature's Son" (remixes 1 and 2 from take 26), "Ob-La-Di, Ob-La-Da" (remixes 1 4 from take 23), "Ob-La-Di, Ob-La-Da" (remix 10 from take 23), "Wild Honey Pie" (remixes 1 and 2 from take 1), "Dear Prudence" (remixes 1 5 from take 1), "Savoy Truffle" (remixes 1 and 2 from take 1), "While My Guitar Gently Weeps" (remixes 10 12 from take 25), "Yer Blues" (remixes 1 5 from take 16 and 17 and edit piece 1), "Sexy Sadie" (remixes 1 3 from take 117), "Savoy Truffle" (remixes 1 6 from take 1), "While My Guitar Gently Weeps" (remixes 10 and 11 from take 25), "Long Long Long" (remixes 2 and 3 from take 67), "Happiness Is a Warm Gun" (remixes 1 4 from take 65), "I'm So Tired" (remixes 1 5 from take 14), "Cry Baby Cry" (remixes 1 3 from take 12), "I'm So Tired" (remixes 1 3 from take 14), "Why Don't We Do It in the Road" (remix 1 from take 6), "It's All Too Much" (of take 2, called take 196), "It's All Too Much" (remix 1 from take 196), "Yer Blues" (of edit of remix mono 3 and edit piece take 1), All I Want Is You (not the same as "Dig a Pony"), Get Off (Winston, Richard, John; White Power). "[69] On their demo's cover, the photograph was colored with fluorescent colors. Between 1994 and 1997, they were highly successful in Denmark and Japan and are credited for heading the 1990s rock revival in Denmark[5][6] with their studio albums Dizzy Mizz Lizzy (1994) and Rotator (1996). After recording the songs with Sheridan, the Beatles recorded two songs by themselves. Lawrence Edward Williams; May 10, 1935 January 7, 1980) was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. [1] Although this abbreviation is in widespread colloquial use among both band members and fans, the band never considered to use it as an official name. [citation needed] After the contract was signed, Parlophone record producer George Martin gave the Beatles an audition at EMI Studios in London, to assess their musical quality and respective vocal talents. Recorded 26 January 1969 at 3 Savile Row. The band explained during a concert on 5 June 2015 that they do not consider themselves a reunited band, but a re-activated band. The session tapes were most likely erased, and none of the discs are known to have survived. The group flew from London, and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. However, they lacked an entrance to the UK and US like the modern Danish rock bands do. ", "Be-Bop-A-Lula", "Ain't She Sweet" (Studio Jams), "Sun King/Mean Mr. Mustard" (SI onto take 35), "Polythene Pam"/"She Came in Through the Bathroom Window" (takes 139), "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 39), "Polythene Pam/She Came in Through the Bathroom Window (tape reduction take 39 into take 40), "You Never Give Me Your Money" (tape reduction take 30 into takes 37 42), "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 40), "You Never Give Me Your Money" (SI onto take 40), "You Never Give Me Your Money" (remix 1 from take 40), "Sun King/Mean Mr. Mustard" (remix 1 from take 35), "Polythene Pam/She Came in Through the Bathroom Window (remix 1 from take 40), "Golden Slumbers/Carry That Weight" (remix 1 from take 17), Editing, crossfading and tape compilation Abbey Road Medley, "You Never Give Me Your Money" (SI onto 30), "Something" (unnumbered rough mix from take 39), "Here Comes the Sun" (unnumbered rough mix from take 15), Production Staff: George Harrison (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer), "You Never Give Me Your Money" (sound effects takes 1 5), "Maxwell's Silver Hammer" (tape reduction takes 21 into takes 2227 with simultaneous SI), "Maxwell's Silver Hammer" (remixes 14 26 from take 27), Production Staff: George Martin (Producer), Tony Clark/Phil McDonald (Engineer), John Kurlander (2nd Engineer), "Come Together" (remixes 1 10 from take 9), "I Want You (She's So Heavy)" (SI onto unnumbered master), Production Staff: George Martin (Producer), Tony Clark (Engineer), Alan Parsons (2nd Engineer), "I Want You (She's So Heavy)" (of take 1), "I Want You (She's So Heavy)" (from take 1 into unnumbered master), "Oh! Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 10 from take 9), Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer), "Only a Northern Song" (SI onto take 3, SI onto take 11), "Only a Northern Song" (remixes 1 11 from takes 3 and 11), "Magical Mystery Tour" (tape loop of coach noise, takes 1 3, tape reduction take 3 into takes 4 8), "Magical Mystery Tour" (SI onto take 8, tape reduction take 8 into take 9), "Magical Mystery Tour" (remixes 1 4 from take 9), Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Richard Lush (2nd Engineer), "Magical Mystery Tour" (remixes 1 7 from take 9), "Baby, You're a Rich Man" (takes 1 12, tape reduction take 12 into takes 1 and 2), "Baby, You're a Rich Man" (remix 1 from take 2), Production Staff: George Martin (Producer), Keith Grant (Engineer), Eddie Kramer (2nd Engineer), "All Together Now" (remixes 1 6 from take 9), "You Know My Name (Look Up the Number)" (Part 1, takes 1 14), Production Staff: Geoff Emerick (Producer and Engineer), Richard Lush (2nd Engineer), Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer), "It's All Too Much" (tape reduction take 4 into takes 1 and 2, SI onto take 2), Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer), "You Know My Name (Look Up the Number)" (SI onto take 9, takes 20 24), "You Know My Name (Look Up the Number)" (part 2 takes 1 12, part 3 takes 1 4, part 4 takes 16, part 5 take 1), "You Know My Name (Look Up the Number)" (take 30 consisting of takes of part 1 5), "You Know My Name (Look Up the Number)" (remix 1 from take 30), "All You Need Is Love" (takes 1 33, tape reduction take 10), Production Staff: George Martin (Producer), Eddie Kramer (Engineer), George Chkiantz (2nd Engineer), "All You Need Is Love" (remix 1 from take 10), Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Phil McDonald (2nd Engineer), "All You Need Is Love" (demo remix unnumbered), "All You Need Is Love" (tape reduction of take 10, takes 3443 as SI onto take 10), "All You Need Is Love" (takes 4447 as SI onto take 10), "All You Need Is Love" (takes 4850, BBC rehearsal takes 13, takes 5153, takes 5458 [58 being live BBC broadcast], SI onto take 58), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush/Martin Benge (2nd Engineer), "All You Need Is Love" (remixes 2 10 from take 58), Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer), "Your Mother Should Know" (tape reduction take 8 into take 9, SI onto take 9), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott/Richard Lush (2nd Engineer), "I Am the Walrus" (tape reduction take 16 into take 17, SI onto take 17), "I Am the Walrus" (remixes 1 4 from take 17), "Blue Jay Way" (tape reduction take 1 into take 2, SI onto take 2, tape reduction take 2 into take 3, SI onto take 3), Production Staff: George Martin (Producer), Peter Vince (Engineer), Ken Scott (2nd Engineer), "Flying" (takes 1 6, tape reduction take 6 into take 7 and 8, SI onto take 8), "Your Mother Should Know" (Remake takes 20 30), Production Staff: George Martin (Producer), Ken Scott (Engineer), Jeff Jarratt (2nd Engineer), "The Fool on the Hill" (takes 1 3, tape reduction take 3 into take 4, SI onto take 4), "The Fool on the Hill" (remix 1 from take 4), Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "The Fool on the Hill" (tape reduction take 4 into take 5, SI onto take 5, tape reduction take 5 into take 6, SI onto take 6), Production Staff: N/A (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "I Am the Walrus" (tape reduction take 17 into takes 1824 with SI onto takes 1824), "I Am the Walrus" (tape reduction take 20 into take 25, SI onto take 25), "The Fool on the Hill" (remix 2 from take 6), "I Am the Walrus" (tape reduction of take 25 as SI onto take 17), "I Am the Walrus" (remixes 2 5 from take 17), "Flying" (SI onto take 8, takes 1- 5 of SI onto take 8), "I Am the Walrus" (remixes 6 22 from take 17), "I Am the Walrus" (of mono remixes 10 and 22 called mono remix 23), "Your Mother Should Know" (tape reduction take 9 into takes 50 52, SI onto take 52), "Your Mother Should Know" (remix 20 from take 52), Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer), "Your Mother Should Know" (remixes 21 25 from take 52), "Hello, Goodbye" (takes 1 14, tape reduction take 14 into takes 15 and 16), "It's All Too Much" (remixes 1 and 2 from take 2), "Blue Jay Way" (remixes 2 9 from take 3), "Shirley's Wild Accordion" (takes 1 8, tape reduction take 8 into takes 9 and 10, SI onto take 10, takes 11 15), "Shirley's Wild Accordion" (remixes 1, 2 and 3 from takes 10, 7 and 14 respectively), Production Staff: John Lennon (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "Hello, Goodbye" (SI onto take 16, tape reduction take 16 into take 17), Production Staff: George Martin (Producer), Ken Scott (Engineer), Phil McDonald (2nd Engineer), "The Fool on the Hill" (remixes 10 12 from take 6), "The Fool on the Hill" (of mono remix 12), "Hello, Goodbye" (tape reduction take 17 into takes 18 21, SI onto take 21), "All You Need Is Love" (remix 11 from take 58), "Lucy in the Sky with Diamonds" (remix 20 from take 8), "Hello, Goodbye" (tape reduction take 21 into takes 22 25), "The Fool on the Hill" (remixes 1 5 from take 6), "The Fool on the Hill" (of stereo remix 5), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Graham Kirkby (2nd Engineer), "Hello, Goodbye" (remixes 1-6 from take 22), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Jeff Jarratt (2nd Engineer), "Hello, Goodbye" (remixes 1 and 2 from take 22), "I Am the Walrus" (remixes 1 7 from take 17 and from mono remix 22), "Your Mother Should Know" (remixes 1 and 2 from take 52), "I Am the Walrus" (of stereo remixes 6 and 7), "Blue Jay Way" (remixes 1 and 2 from take 3), Production Staff: George Martin (Producer), Ken Scott (Engineer), Peter Mew (2nd Engineer), "Blue Jay Way" (remixes 20 28 from take 3), "Blue Jay Way" (remixes 10 12 from take 3), "Blue Jay Way" (of mono remix 27, of stereo remix 12), "Magical Mystery Tour" (remixes 5 and 6 from stereo remix 4 with new SI), "Magical Mystery Tour" (remixes 8 -10 from mono remix 7 with new SI), "Your Mother Should Know" (of mono remix 25), "Flying" (of edit of mono remix 6 and of edit of stereo remix 1), "Magical Mystery Tour" (of mono remix 10 and of stereo remix 6), "Blue Jay Way" (of edit of mono remix 27 and of edit of stereo remix 12), "The Fool on the Hill" (of edit of mono remix 12), "Strawberry Fields Forever" (of stereo remix 3), "I Am the Walrus" (remix 25 from take 17), "I Am the Walrus" (of stereo remixes 25 and 7), "Christmas Time (Is Here Again)" (take 1 [music], takes 1 10 [speech], SI of sound effects onto edit/remix), "Christmas Time (Is Here Again)" (of takes 1 [music], takes 2, 6 and 10 [speech]), "Christmas Time (Is Here Again)" of unnumbered mono remixes), "Christmas Time (Is Here Again)" (of master version), take 6 (Tape Copy of take 5) - released with, Musicians: Ashish Khan (sarod), Mahapurush Misra (tabla, pakavaj), Sharad Jadev and Hanuman Jadev (shanhais), Shambu-Das, Indril Bhattacharya and Shankar Ghosh (sitar), Chandra Shakher (sur-bahar), Shiv Kumar Sharmar (santorr), S.R. Eighteen days after the breakup, the Japan-only release The Greatest was released. [2] Two days later, they revealed that they had written new songs and that six shows in Denmark were booked for AprilMay 2015,[4] though at that time they indicated it was not yet known if the band would release an LP, an EP, or just one or two singles, as that would depend on the mood and creativity. According to the Beatles Monthly, due to the adverse reaction to Ono's performance, Pennebaker removed the segments with Lennon and Ono after limited screenings of the film, later re-edited as Keep on Rockin'. However, it is Williams' vocal that makes the song stand out, according to music journalist Gene Sculatti, "at ease with its own intensity [that is] finally out of Richard's shadow"[2] (Little Richard and Williams were both signed to Specialty Records). It was a huge success in Denmark, selling 220,000 copies,[23] making it the best selling rock album ever in Denmark. Although in 1963, the convention of destroying session tapes after the final mixes were made had mostly ceased, the session's takes of "Hold Me Tight" were destroyed, as the song was left unused until seven months later when they re-recorded it for their next album. The booklet for the 2006 Mobile Fidelity release also included a current calendar. Production staff: George Martin (producer), Jeff Jarratt (engineer), "You Know My Name (Look Up the Number)" (of remix mono 4) released as the B-side to ", "What's the New Mary Jane" (remix 4, from take 4), "What's the New Mary Jane" (remix 5, from take 4), "What's the New Mary Jane" (of remix stereo 5, called remix stereo 6), "What's the New Mary Jane" (of stereo remixes 4 into 5), "What's the New Mary Jane" (of stereo remixes 4 and 5), Production staff: George Martin (producer), Geoff Emerick and Phil McDonald (engineer), Richard Lush (2nd engineer), Production staff: George Martin (producer), Geoff Emerick and Phil McDonald (engineer), Neil Richmond (2nd engineer), Production staff: George Martin (producer), Martin Benge (engineer), Richard Lush (2nd engineer), "I've Got a Feeling", "Don't Let Me Down", "Get Back", "The One After 909", "Dig a Pony", Production Staff: George Martin? Mono mixdown released on as a single on 5January 1962, Edited (intro removed) and stereo mixed (1964), Edited (spoken word by McCartney superimposed over the intro) and stereo mixed (1990s) released on, Mono mixdown released on as a single on 23 October 1961 (Germany), Mono mixdown released as the B-side to "My Bonnie", Edited, extra instruments added and mono mixed (1964), Extra drums added and mono mixed (1964) released on, Paul McCartney backing vocals, bass guitar, Vocal overdub by Sheridan (3 January 1964), Extra instruments added and mono mixed (1964), John Lennon backing vocals, rhythm guitar, "Bsame Mucho" (Velzquez/Skylar) (take 1)- destroyed, Chris Neal second engineer (tape operator), Mono mixed (from an unknown take) released as a single on 5October 1962; included on, John Lennon harmonica, rhythm guitar, vocals, "P.S. The group's "main catalogue"songs released between 1962 and 1970consists of 213 songs (four of which exist in different versions): 188 originals and 25 covers. You can help Wikipedia by expanding it. There are no take numbers since they were not formal studio recording sessions, but rehearsals filmed for Let It Be. [15] Several songs on the album were rather ambiguous as to whether they referred to Dizzy Mizz Lizzy or Rosendahl. After the Decca audition recordings came to the attention of EMI managers through the efforts of the Beatles' manager Brian Epstein, a recording contract was executed between Epstein and EMI's Parlophone record label. [5] The band closed with an electric version of the Wedding Album track[1] "John John (Let's Hope for Peace)",[13] an extended experimental number consisting of her screaming the title repeatedly to the feedback of the electric guitars. [20] One notable fan is Crown Prince Frederik,[24] who is an outspoken lover of rock music,[25] and who has attended many of their concerts. The Beatles staged their second concert tour of the United States (with one date in Canada) in the late summer of 1965.At the peak of American Beatlemania, they played a mixture of outdoor stadiums and indoor arenas, with historic concerts at Shea Stadium in New York and the Hollywood Bowl.Typically of the era, the tour was a "package" presentation, with several artists Another 100,000 copies were sold in Japan. [8] Molin received the Politiken Publikumspris (People's choice award) for his documentary. [20] With their stage remarks, Lennon and Ono linked their appearance there to their ongoing campaign for peace. Except where noted, all of the following songs are written by LennonMcCartney and all single and album releases are for the United Kingdom. It depicts the older sister of my grandmother on mother's side. The song was recorded in the small Akustik studio, in a similar arrangement to the Beatles' recordings at Phillips' Sound Recording Services. I Love You" (takes 19) destroyed, Mono mixed released as the B-side to "Love Me Do"; included on, Fake stereo mixed (25February 1963) released on, Mono mixed (from an unknown take) released on, George Harrison acoustic and lead guitar, backing vocals, John Lennon rhythm guitar, vocals, harmonica, "Please Please Me" (takes 118) destroyed, Mono mixed (from an unknown take) (30November 1962) released as a single on 11January 1963; included on, Edit of takes 16, 17 & 18 (25February 1963), Stereo mixed (25February 1963) released on, Mono mixed (30November 1962) released as the B-side to "Please Please Me", Mono mixed (25February 1963) released on, George Harrison backing vocals, lead guitar, "There's a Place" (take 2) complete (1:54), "There's a Place" (take 4) complete (1:50), "There's a Place" (take 5) false start released on, "There's a Place" (take 6) complete (1:57) released on, "There's a Place" (take 8) complete (1:57) released on, "There's a Place" (take 9) complete (1:53) released on, "There's a Place" (take 10) complete (1:50), Harmonica overdub (take 11) complete (2.306pm), Harmonica overdub (take 12) false start (2.306pm), Harmonica overdub (take 13) complete (2.306pm), Handclaps overdub (take 12) complete (2.306pm), Edit of takes 9 and 12 (25February 1963), "Seventeen" (take 2) complete (2:49) released on, "Seventeen" (takes 45) edit pieces (0:37), "Seventeen" (take 9) complete (2:45) released as a B-side to ", Handclaps overdub (take 10) complete (2.306pm), Edit of takes 9 and 12 (see take 12 above), "A Taste of Honey" (takes 23) break-downs (1:00), "A Taste of Honey" (take 4) complete (2:02), "A Taste of Honey" (take 5) complete (2:00), Lead vocal double tracking overdub (take 7) complete, "Do You Want to Know a Secret" (takes 24) complete (1:55), "Do You Want to Know a Secret" (takes 5) false start, "Do You Want to Know a Secret" (takes 6) complete (2:00), Harmony vocal and drumsticks overdub (take 8) complete, "Misery" (take 7) complete (1:44) released on, Piano overdub (takes 1215) (20February 1963), Piano overdub (take 16) (20February 1963), "Hold Me Tight" (take 2) complete (1:48) destroyed, "Hold Me Tight" (takes 34) false start destroyed, "Hold Me Tight" (take 5) break-down destroyed, "Hold Me Tight" (take 6) complete (2:28) destroyed, "Hold Me Tight" (takes 78) false starts destroyed, "Hold Me Tight" (take 9) complete (1:26) destroyed, "Hold Me Tight" (take 10) edit piece destroyed, "Hold Me Tight" (take 11) edit piece, false start destroyed, "Hold Me Tight" (takes 1213) edit pieces destroyed, Celesta overdub (take 5) (20February 1963), Piano overdub (take 6) (20February 1963), George Harrison guitar, vocals, handclaps, John Lennon guitar, vocals, harmonica, handclaps, Paul McCartney bass guitar, vocals, handclaps, "From Me to You" (takes 813) edit pieces (harmonica, the guitar solo and the harmonised introduction), Mono mixed (14March 1963) released as a single on 11April 1963; included on, Stereo mixed (14March 1963) released on, "Thank You Little Girl" (take 5) released on, "Thank You Little Girl" (takes 713) edit pieces (guitar flourish at the end), Edit of takes 6, 13, 17, 20, 21 and 23 (see, "The One After 909" (take 5) edit piece, Edit of takes 3, 4 and 5, mono mixed (1990s) released on, Edit of takes 4 and 5, mono mixed (1990s) released on, "Thank You Little Girl" (takes 1428) harmonica overdubs, Mono mixed released as the B-side to "From Me to You"; included on, Edited and mono mixed (from unknown takes) (4July 1963) released as a single on 23August 1963; included on, Mono mixed (from an unknown take) (4July 1963) released as the B-side to "She Loves You"; included on, George Harrison backing vocals, lead guitar, handclaps, John Lennon vocals, rhythm guitar, harmonica, Paul McCartney vocals, bass guitar, handclaps, "You Really Got a Hold on Me" (takes 811) edit pieces, Edit of takes 7, 10 & 11 (21August 1963), Mono mixed (21August 1963) released on, Stereo mixed (29October 1963) released on, "Money (That's What I Want)" (take 7) released on, Stereo mixed (30October 1963) released on, "Money (That's What I Want)" (three unnumbered takes) (30September 1963) piano overdubs, "It Won't Be Long" (takes 910) overdubs (ending), "Money (That's What I Want)" (piano test), "Money (That's What I Want)" (takes 814) edit pieces (piano for start), "Till There Was You" (takes 45) false starts, "Till There Was You" (take 6) complete (2:14), "Till There Was You" (take 7) complete (2:13), "Till There Was You" (take 8) complete (2:15), "Roll Over Beethoven" (take 2) complete (2:41), "Roll Over Beethoven" (take 3) false start, "Roll Over Beethoven" (take 4) complete (2:44), "Roll Over Beethoven" (take 5) complete (2:37), "Roll Over Beethoven" (take 6) overdub, false start, "Roll Over Beethoven" (take 7) overdub, complete (2:37), "Roll Over Beethoven" (take 8) edit piece (end guitar riff), "It Won't Be Long" (takes 1113) false starts, "It Won't Be Long" (takes 1516) false starts, "It Won't Be Long" (take 18) edit piece, "It Won't Be Long" (take 19) edit piece, false start, "It Won't Be Long" (takes 2023) edit pieces, "All My Loving" (takes 23) false starts, "All My Loving" (take 4) complete (2:05), "All My Loving" (take 6) complete (2:08), "All My Loving" (take 7) complete (2:07), "All My Loving" (takes 89) false starts, "All My Loving" (take 10) complete (2:07), "All My Loving" (take 12) overdub, complete (2:05), "All My Loving" (take 13) overdub, break-down, "All My Loving" (take 14) overdub, complete (2:05), Mono mixed (30September 1963) released on, "Not a Second Time" (takes 68) overdubs (lead vocal double-tracking and piano), "Not a Second Time" (take 9) overdub (lead vocal double-tracking and piano), Edit of takes 26 & 29 (30September 1963), Mono mixed (23October 1963) released on, "Little Child" (takes 1314) harmonic overdubs, "Little Child" (takes 1517) piano overdubs, "Little Child" (take 18) harmonic solo overdub, Edit of takes 15 & 18 (30September 1963), "I Wanna Be Your Man" (takes 813) (30September 1963), John Lennon harmonica, rhythm guitar, tambourine, vocals, Paul McCartney bass guitar, claves, piano, vocals, Ringo Starr Arabian bongos, drums, vocals, "I Want to Hold Your Hand" (take 16) overdub, "I Want to Hold Your Hand" (take 17) overdub, Mono mixed (21October 1963) released as a single on 29November 1963; included on, Stereo remix 1 (21October 1963) included on, "This Boy" (takes 1213) released as a B-side to "Free as a Bird" (3:17), Edited (21October 1963) released as the B-side to "I Want to Hold Your Hand"; included on, "Komm, Gib Mir Deine Hand" (of takes 5 and 7), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), Production staff: George Martin (producer), Norman Smith (engineer), Jacques Esmenjaud (2nd engineer), Musicians: John Lennon (harmonica, rhythm guitar, vocals), Paul McCartney (bass guitar, cowbell, vocals), George Harrison (12-string guitar, lead guitar, vocals), Ringo Starr (bongos, drums), Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer), "You Can't Do That" (remixes 14, from take 9), Remix 3 released as the B-side to "Can't Buy Me Love"; included on, "Can't Buy Me Love" (from take 4) released as a single; included on, "I Should Have Known Better" [re-make] (takes 422), Musicians: John Lennon (harmonica, rhythm guitar, vocals), Paul McCartney (bass guitar, cowbell, vocals), George Harrison (lead guitar), Ringo Starr (claves, bongos, drums), "And I Love Her" [re-re-make] (takes 2021), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (cowbell, drums), George Martin (piano), "I Should Have Known Better" (from take 22) released on, "Tell Me Why" (from take 8) released on, "I'm Happy Just to Dance with You" (from take 4) released on, Production staff: George Martin (producer), Norman Smith (engineer), A.B. 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