Pachelbel's work enjoyed massive popularity during his lifetime; he had a large number of pupils and his music became a model for the composers of south and central Germany. Pachelbel's fugal writing is, without exceptions, very plain: the episodes are usually based on non-thematic material and rather short compared to the later model (of which JS Bach's works are now considered the prime example), and neither stretto nor the usual contrapuntal devices such as diminution or inversion are employed in any fugue. After him are Anton Webern, Josquin des Prez, Jules Massenet, Dieterich Buxtehude, Gabriel Faur, and Franz Lehr. Although most of them are brief, the subjects are extremely varied (see Example 1). Johann Pachelbel was born in 1653 in Nuremberg into a middle-class family, son of Johann (Hans) Pachelbel (born 1613 in Wunsiedel, Germany), a wine dealer, [3] and his second wife Anna (Anne) Maria Mair. Pachelbel accepted the invitation; Gotha authorities released him in 1695 and he arrived in Nuremberg sometime during summer, his road expenses paid by the Nuremberg city council. Other vocal music includes motets, arias and two masses. During this period Johann Christoph Bach studied with him for 3 years. He wrote a considerable number cantatas for the Lutheran church, hymn settings, and chamber sonatas for . Biography. Pachelbel's music was influenced by south German composers such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers and the composers of the Nuremberg tradition. Generally, these additional movements are uncomplicated and less developed than main movements, but offer catchy and memorable melodies. After leaving school in 1669, he spent a year in Altdorf before moving to Regensburg where he began . Pachelbel was named as God Father to Johanna Juditha Bach, and taught Johann Cristoph Bach. Among people deceased in 1706, Johann Pachelbel ranks 1. During his three-year stay in Gotha, Pachelbel received at least two job invitations, one from Stuttgart and one from Oxford, England, but declined both. 6 has twelve. Feel free to contribute! Awards of Johann Pachelbel, birthday, children and many other facts. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most . The Magnificat settings, most composed during Pachelbel's late Nuremberg years, are influenced by the Italian-Viennese style and distinguish themselves from their antecedents by treating the canticle in a variety of ways and stepping away from text-dependent composition. Several renowned cosmopolitan composers worked there, most of them contributing to the exchange of musical traditions in Europe. The exact date of Johann's birth is unknown, but since he was baptized on September 1, he may have been born in late August. Pachelbel spent five years in Vienna, absorbing the music of Catholic composers from southern Germany and Italy, whose styles contrasted with the more strict Lutheran tradition he was bred in. German. Partly due to their simplicity, the toccatas are very accessible works; however, the E minor and C minor ones which receive more attention than the rest are in fact slightly more complex. Johann died on March 3, 1706 in Nuremberg, Holy Roman Empire [now Germany]. One of Pachelbel's . Died: March 1706, Nuremburg, Germany. Household instruments like virginals or clavichords accompanied the singing, so Pachelbel and many of his contemporaries made music playable using these instruments. Manage settings Accept all Johann Pachelbel (Composer) Born: August 1653, Nuremburg, Germany Died: March 1706, Nuremburg, Germany Nationality: German Johann Pachelbel was a German composer, organist, and teacher who brought the south German organ schools to their peak. Johann Pachelbel (IPA: [paxlbl]) (baptized September 1, 1653 March 3, 1706) was an acclaimed German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. The latter became one of the first European composers to take up residence in the American colonies and so Pachelbel influenced, although indirectly and only to a certain degree, the American church music of the era. 1653 1653-9-1 1706-03-09 Bavaria Fantastic 4: Rise of the Silver Surfer (2007) Germany I Love You Johann Pachelbel Johann Pachelbel Net Worth Man (2009) Music Department Nuremberg September 1 Soundtrack The Proposal (2009) Virgo Wedding Crashers (2005) The second employs the violins in an imitative, sometimes homophonic structure, that uses shorter note values. Currently there is no standard numbering system for Pachelbel's works. The former are either used to provide harmonic content in instrumental sections or to double the vocal lines in tutti sections; the violins either engage in contrapuntal textures of varying density or are employed for ornamentation. Although the prolific organist-composer Pachelbel wrote many brilliant liturgical works, as well as lucid and uncomplicated toccatas, preludes, ricercare, fantasias, fugues, and ciaconnas (chaconnes), and a work of sheer genius -- the Hexachordum Apollinis (1699) -- it is only one of his most admired works, the Canon in D Major (actually a passacaglia with 28 variations), that has been . and He was also the first major composer to pair a fugue with a preludial movement (a toccata or a prelude) - this technique was adopted by later composers and was extensively used by JS Bach. The exact date of Johann's birth is unknown, but since he was baptized on 1 September, he may have been born in late August. Pachelbel died in 1706 at 52 years old. The following year, at the gymnasium at Regensburg, and during his employment at St. Stephan's, Vienna, after 1672, he became familiar with the south German musical tradition of J. K. Kerll. The canon is actually more of a chaconne or a passacaglia: it consists of a ground bass over which the violins play a three-voice canon based on a simple theme, the violins' parts form 28 variations of the melody. About. Log in. In 1673 Pachelbel moved to Vienna, where he became a deputy organist at the famous Saint Stephen Cathedral (Stephansdom). The musical education of Johann Pachelbel began in his childhood. Biography. The biography on Johann Pachelbel as well as over 15,000 other biographies available in the database are completely free and can be downloaded by everyone. Barbara Gabler became his wife on October 25, 1681, however, she and their only son died in September 1683 during a plague. In the original sources, all three use white notation and are marked alla breve. He was formally released on August 15, 1690, receiving a testimonial in which his "diligence and faithfulness" were praised. He is the son of Johann Pachelbel (born in 1613 in Wunsiedel), wine merchant, and his second wife, Anna Maria Mair. He contributed to Protestant church music, especially to music for the keyboard. Among people born in Germany, Johann Pachelbel ranks 177 out of 6,142. An interesting technique employed in many of the pieces is an occasional resort to style bris for a few bars, both during episodes and in codas. German Johann Pachelbel/Nationality The school authorities at Regensburg, impressed by Pachelbel's academic qualifications and his advanced standing in music, permitted him to study music outside the gymnasium. Pachelbel's chamber music is much less virtuosic than Biber's Mystery Sonatas or Buxtehude's Opus 1 and Opus 2 chamber sonatas. One of his daughters, Amalia, achieved recognition as a painter and engraver. In suites 1 and 3 these introductory movements are Allegro three-voice fughettas and stretti. After highschool, Johann attended the University of Altdorf in June of 1669. It could be that they served to help singers establish pitch, or simply act as introductory pieces played before the beginning of the service. . His late Nuremberg period saw the publication of Musikalische Ergtzung, a collection of chamber music, and, most importantly, Hexachordum Apollinis (Nuremberg, 1699), a set of six keyboard arias with variations. Name: Johann Pachelbel Bith Date: September 1, 1653 Death Date: March 3, 1706 Place of Birth: Nuremberg, Germany Nationality: German Gender: Male Occupations: composer, organist The German composer and organist Johann Pachelbel (1653-1706) helped to introduce the south German organ style into central and north Germany. in accordance with New World Encyclopedia standards. [a] Both movements are in the key of D major. In most cases Pachelbel used white notation for pieces composed in old-fashioned styles, to provide artistic integrity, as it were. He was named after his father, and his mother's name was Anna Maria Mair. 1 and octavi toni No. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Although Pachelbel was mostly influenced by Italian and southern German composers, he apparently was acquainted with the northern German school, because Hexachordum Apollinis was dedicated to Dieterich Buxtehude. Johann Pachelbel is a member of famous Composer list. Title as used on IMSLP. Although a few two- and four-voice works are present, most employ three voices (sometimes expanding to four-voice polyphony for a bar or two). Johann Pachelbel. There are 95 pieces extant, covering all eight Church Modes: 23 in primi toni, 10 in secundi toni, 11 in tertii toni, 8 in quarti toni, 12 in quinti toni, 10 in sexti toni, 8 in septimi toni and 13 in octavi toni. The Bach family was very well known in Erfurt (where virtually all organists would later be called "Bachs"), so Pachelbel's friendship with them continued here: Pachelbel became godfather to Johann Ambrosius' daughter, Johanna Juditha, and taught Johann Christoph Bach. One important feature found in Gott ist unser Zuversicht and Nun danket alle Gott is that their endings are four-part chorale settings reminiscent of Pachelbel's organ chorale model: the chorale, presented in long note values, is sung by the sopranos, while the six lower parts accompany with passages in shorter note values: The arias, aside from the two 1679 works discussed above, are usually scored for solo voice accompanied by several instruments; most were written for occasions such as weddings, birthdays, funerals and baptisms. Chorale preludes became the most characteristic products of the Erfurt period, since Pachelbel's contract specifically required him to compose the preludes for church services beforehand (as opposed to improvising during the service). Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue . His biography is available in 54 different languages on Wikipedia (up from 53 in 2019). (2000), Nothing to Lose (1997) and Fantastic Four: Rise of the Silver Surfer (2007). Today, Pachelbel is best known for the Canon in D; other well known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Born: 1-Sep-1653 Birthplace: Nuremberg, Germany Died: 3-Mar-1706 Location of death: Nuremberg, Germany . Biography. Johann Pachelbel Biography. Race or Ethnicity: White Sexual orientation: Straight Occupation: Musician, Composer. What was his personality like? . He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque. Pachelbel's other chamber music includes an aria and variations (Aria con variazioni in A major) and four standalone suites scored for a string quartet or a typical French five-part string ensemble with 2 violins, 2 violas and a violone (the latter reinforces the basso continuo). Through his . Pachelbel was a great student and showed that he was exceptionally talented in music. It is built on two contrasting themes (a slow chromatic pattern and a lively simplistic motif) which appear in their normal and inverted forms and concludes with both themes appearing simultaneously. He has been named one of the most important contributors to the middle Baroque era for his fugue and chorale . In order to complete his studies, Pachelbel in 1670 became a scholarship student at the Gymnasium poeticum at Regensburg. The famous Canon in D belongs to this genre, as it was originally scored for three violins and a basso continuo, and paired with a gigue in the same key. He is also considered to be one of the middle Baroque era's most important composers as a result of his contributions to the fugue and chorale prelude's development. Key the principal key of the work. Compare the earlier D major toccata, with passages in the typical middle Baroque style, with one of the late C major toccatas: Sometimes a bar or two of consecutive thirds embellish the otherwise more complex toccata, occasionally there is a whole section written in that manner, and a few toccatas (particularly one of the D minor and one of the G minor pieces) are composed using only this technique, with almost no variation. Johann Pachelbel was born in 1653 in Nuremberg into the family of a tinsmith. Johann Pachelbel Biography. His father enrolled him in the St. Lorenz High School but soon recognized Johann's musical potential and arranged for outside musical training. Johann Pachelbel (1653 - 1706) Johann Pachelbel (September 1, 1653 - March 9, 1706) was born in Nuremberg, then one of the so-called "free" imperial cities and a great center of learning and culture, a took instructions from Heinrich Schwemmer. Copy. The exact date of Johann's birth is unknown, but he was baptized on 1 September. Unfortunately, he was forced to leave the university after less than a year because of financial difficulties. Baroque composer and organist known for "Canon in D" and for his contributions to the south German organ tradition. In 1678 Pachelbel accepted the important post of organist at the Predigerkirche in Erfurt. Pachelbel's chaconnes are distinctly south German in style; the duple meter C major chaconne (possibly at early work) is reminiscent of Kerll's D minor passacaglia. He became municipal organist at Gotha, but his activities are uncertain until 1695, when he became organist of the famous church of St. Sebaldus, Nuremberg. He is probably the only composer ever able to make full use of the possibilities of art available in his time. He showed musical talent early on and began studies first with Heinrich Schwemmer and later with George Kaspar Wecker, the latter instructing in composition and on the organ. He applied the variation techniques of the secular suite to the setting for organ of Lutheran chorales (Musicalische Sterbens-Gedanken). In 1677 Pachelbel moved to Eisenach, where he found employment as court organist under Kapellmeister Daniel Eberlin (also a native of Nuremberg), in the employ of Johann Georg I, Duke of Saxe-Eisenach. Also composed during these final years were numerous Italian-influenced concertato Vespers pieces and a set of more than ninety Magnificat fugues. Pachelbel was the last great composer of the Nuremberg tradition and the last important southern German composer. Johann Pachelbel (IPA: [ paxlbl ]) ( baptized September 1, 1653 - March 3, 1706) was an acclaimed German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. When was Pachelbel born and died? The Magnificat Fugues were all composed during Pachelbel's final years in Nuremberg. Interestingly, Partie a 4 in G major features no figuration for the lower part, which means that it wasn't a basso continuo and that, as Jean M. Perreault writes, "this work may well count as the first true string quartet, at least within the Germanophone domain."[5]. All movements are in binary form, except for two arias. Several catalogues are used, by Antoine Bouchard (POP numbers, organ works only), Jean M. Perreault (P numbers, currently the most complete catalogue; organized alphabetically), Hideo Tsukamoto (T numbers, L for lost works; organized thematically) and Kathryn Jane Welter (PC numbers). Pachelbel died on March 3, 1706, aged 52. Chorales and chorale preludes constitute almost half of Pachelbel's surviving organ output, in part because of his Erfurt job duties which required him to compose chorale preludes on a regular basis. Instrument (s) Organ Johann Pachelbel (baptised September 1, 1653 - buried March 9, 1706) was a German Baroque composer and organist. RESEARCH. Through his close connections to the Bach family, his style influenced and enriched that of Johann Sebastian Bach. Johann Pachelbel is credited for helping the south German organ schools rise to their peak. This Biography consists of approximately 2pages of information about the life of Johann Pachelbel. He met the Bach family in Eisenach (which was the home city of JS Bach's father, Johann Ambrosius Bach), becoming a close friend of Johann Ambrosius and tutoring his children. Johann Pachelbel ( August 1653 - March 3, 1706) was a German Baroque composer and organist, best remembered for his Canon in D. Pachelbel was organist at Erfurt, in the Thuringian region of Germany. One of the last middle Baroque composers, Pachelbel did not have any considerable influence on most of the famous late Baroque composers such as George Frideric Handel, Domenico Scarlatti or Georg Philipp Telemann. Read Full Biography. Pachelbel remained in Erfurt for 12 years and established his reputation as one of the leading German organ composers of the time during his stay. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important . Ricercare in C major is probably an early work, mostly in three voices and employing the same kind of writing with consecutive thirds as seen in Pachelbel's toccatas (see below). In 1669, while at the University of Altdorf, he was organist in the church of St. Lorenz. This article abides by terms of the Creative Commons CC-by-sa 3.0 License (CC-by-sa), which may be used and disseminated with proper attribution. Creative Commons Attribution-ShareAlike License. Musical composer, Johann Hans Pachelbel, was born in Nuremberg, Germany in 1653. Johann Pachelbel was a German organist and one of the most important composers of the Baroque era due to his contributions to the chorale prelude and fugue. The exact date of Johann's birth is unknown, but since he was baptized on September 1, he may have been born in late August. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque. He was born in the Bavarian city of . Through his close connections to the Bach family, his style influenced and enriched that of Johann Sebastian Bach. Only a few chamber music pieces by Pachelbel exist, although he might have composed many more, particularly while serving as court musician in Eisenach and Stuttgart. The pieces are French influenced and indicate Pachelbel may have studied Froberger's keyboard suites. However, he did not have much influence on the most important composers of the late Baroque such as Johann Sebastian Bach. "[6] Already the earliest examples of Pachelbel's vocal writing, two arias So ist denn dies der Tag and So ist denn nur die Treu composed in Erfurt in 1679 (which are also Pachelbel's earliest datable pieces[7]), display impressive mastery of large-scale composition (So ist denn dies der Tag is scored for soprano, SATB choir, 2 violins, 3 violas, 4 trumpets, timpani and basso continuo) and exceptional knowledge of contemporary techniques. He has been named one of the most important contributors to the middle Baroque era for his fugue and chorale prelude pieces. His father enrolled him in the St. Lorenz High School, though soon recognized Johann's musical potential, and arranged for outside musical training. What nationality was Pachelbel? Childhood And Education Johann Pachelbel was born in Nuremberg in 1653 into a middle-class family. In addition to the canon, his most well-known works include the Chaconne in F minor and the Toccata in C minor for organ, and a set of keyboard variations called Hexachordum Apollinis. Johann Pachelbel was born on September 1, 1653 in Nuremberg, Germany. Pachelbel was organist at Erfurt, in the Thuringian region of Germany and his harmonizations of church chorales seem to have been inspirational to the young Johann Sebastian Bach, whose older . Pachelbel's work enjoyed massive popularity during his lifetime, he had a large number of pupils and his music became a model for the composers of south and central Germany. Johann Pachelbel was a German composer, organist, and teacher who brought the south German organ schools to their peak. T numbering as given in Tsukamoto, Hideo. Although similar technique is employed in toccatas by Froberger and Frescobaldi's pedal toccatas, Pachelbel distinguishes himself from these composers by having no sections with imitative counterpointin fact, unlike most toccatas from the early and middle Baroque periods, Pachelbel's contributions to the genre are not sectional, unless rhapsodic introductory passages in a few pieces (most notably the E minor toccata) are counted as separate sections. Local organists in Nuremberg and Erfurt knew Pachelbel's music and occasionally performed it, but the public and the majority of composers and performers did not pay much attention to Pachelbel and his contemporaries. Johann Cristoph would eventually become his younger brother, Johann Sebastian's, first music teacher. The ostinato bass is not necessarily repeated unaltered throughout the piece and is sometimes subjected to minor alterations and ornamentation. The quality of the organs Pachelbel used also played a role: south German instruments were not, as a rule, as complex and as versatile as the north German ones, and Pachelbel's organs must have only had around 15-25 stops on two manuals (compare to Buxtehude's Marienkirche instrument with 52 stops, 15 of them in the pedal). Pachelbel was born in August of 1653 and baptized on September 1. Most of Pachelbel's free fugues are in three or four voices, with the notable exception of two bicinia pieces that were probably intended for teaching purposes. The German composer and organist Johann Pachelbel (1653-1706) helped to introduce the south German organ style into central and north Germany. Johann Pachelbel Johann Pachelbel (1653 - March 3, 1706) was a German Baroque composer and organist best remembered for his Canon in D, which is often heard at weddings. Distinct features of Pachelbel's vocal writing in these pieces, aside from the fact that it is almost always very strongly tonal, include frequent use of permutation fugues and writing for paired voices. The other four sonatas are reminiscent of French overtures. View free biogra. In it a preliminary imitative passage on each phrase of the melody precedes the statement of the phrase, intact, in one part. The German composer and organist Johann Pachelbel (1653-1706) helped to introduce the south German organ style into central and north Germany. 2002. 8), all are straightforward pieces, frequently in common time and all comparatively short - at an average tempo, most take around a minute and a half to play. Pachelbel wrote numerous chorales using this model (Auf meinen lieben Gott, Ach wie elend ist unsre Zeit, Wenn mein Stndlein vorhanden ist, etc. Showing all 4 items. It is dedicated to composers Ferdinand Tobias Richter (a friend from the Vienna years) and Dieterich Buxtehude. Pachelbel only used the bicinium form in two other pieces. The Neumeister manuscript and the so-called Weimar tablature of 1704 provide valuable information about Pachelbel's school, although they do not contain any pieces that can be confidently ascribed to him. Listen to Canon in D Major, Canon In D and more from Johann Pachelbel. ISBN links support NWE through referral fees, 16531673: Early youth and education (Nuremberg, Altdorf, Regensburg), 16731690: Career (Vienna, Eisenach, Erfurt), 16901706: Final years (Stuttgart, Gotha, Nuremberg), Posthumous influence and the rise of popularity of the Canon in D, Wendy Thompson and Basil Smallman, "Pachelbel, Johann", Ewald V. Nolte and John Butt, "Johann Pachelbel,", The most extraordinary example of note repetition, however, is not found in Pachelbel's fugues but in his first setting of the, Translation from: Peter Wollny, liner notes to CD "Pachelbel; Johann Christoph & Johann Michael Bach: Motetten/Motets," DHM 77305, Kathryn Jane Welter, "So ist denn dies der Tag: The Erbhuidigung of Prince Elector Carl Heinrich of Mainz" (lecture at the Eighth Annual Meeting of The Society for Seventeenth-Century Music, April 27-30, 2000), Johann Pachelbel's Contribution to Pre-Bach Organ Literature, Johann Pachelbel's biography at HOASM.org, https://www.newworldencyclopedia.org/p/index.php?title=Johann_Pachelbel&oldid=1074919, Art, music, literature, sports and leisure, Creative Commons Attribution/Share-Alike License, Thompson, Wendy, and Basil Smallman, "Pachelbel, Johann".
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